Grethe Barrett Holby
Grethe Barrett Holby is one luminary who wears many hats as an opera and stage director, choreographer, producer, dancer, architect, and visual designer. She has been hailed for her operatic career spanning over four decades and is credited with popularizing the opera industry in North America. She has been at the forefront of the operatic scenario in the US, having established the ‘American Opera Projects’, ‘Family Opera Initiative’ and ‘Ardea Arts Incorporated’. Her professional career took off at the age of 26 when she was selected as a danseuse by the Laura Dean and Dance Company to perform at the worldwide premiere of ‘Drumming’ composed by Steve Reich. After two years, she was included in the main cast of Robert Wilson’s and Philip Glass’s ‘Einstein on the Beach’ when the opera premiered at the annual arts festival of Avignon, France. She instituted a dancing troupe, ‘Grethe Holby and Dancers’ that went on to stage ‘Metal Machine Music’ by Lou Reed. She began making forays in the operatic arena from the s, starting out as an assistant designer, laying out sets for operas staged at Broadway, Brooklyn Academy of Music, and Wexford Festival Opera. Grad
The Untold Truth Of Ansel Elgort
ByCat Lafuente
Actor Ansel Elgort stormed into the movie business in the remake of the Stephen King classic Carrie. After that, Elgort's celebrity continued to ascend, as he scored roles in the dystopian franchise Divergent, the heart-breaking teenage romance The Fault in Our Stars, and the action-packed crime drama Baby Driver. That's a seriously impressive career arc!
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Ansel Elgort has famous parents
If you suspected that some of Ansel Elgort's talent and charm might be genetic, you'd be correct, as his
Described as “Strong, fresh and unabashed” (NY Times), and “risky and bold” (Norway Times), Grethe Barrett Holby has been a driving force in new American opera for over 25 years, credited with “propelling opera into the 21st century.” (NPR) Holby has directed, choreographed, produced and collaborated on world premieres with many composers of our time including Leonard Bernstein (Trouble in Tahiti & A Quiet Place for Houston Grand Opera, Kennedy Center and La Scala), Lou Reed (Metal Machine Music at The Kitchen, NYC), Vincent Persichetti (The Sibyl for Pennsylvania Opera Theater), Gian-Carlo Menotti (The Bride from Pluto at Kennedy Center), and Kitty Brazelton, Eve Beglarian & Lisa Bielawa (Electric Ordo Virtutum at Lincoln Center Festival). Holby was an originating cast member in Philip Glass and Robert Wilson’s Einstein on the Beach, touring major opera houses in Europe, and culminating in performances at the Metropolitan Opera, was resident choreographer for the Houston Grand Opera, and is a free-lance director who, believing passionately in the need for a new American Opera, founded and le
This interview was originally recorded on November 3rd,
The Oral History Project is supported by the Arthur F. and Alice E. Adams Charitable Foundation.
Grethe Barrett Holby, director, choreographer
In her four-decade career, opera director, choreographer, and artist Grethe Barrett Holby has established herself as a boundary-pushing creative. She was an originating cast member of Robert Wilson and Philip Glass’s Einstein on the Beach, choreographer and assistant director for the world premiere of Leonard Bernstein’s final opera, A Quiet Place. Holby also launched the groundbreaking organization American Opera Projects in Most recently Holby’s focus has been on two major projects, BOUNCE The Basketball Opera, and The Three Astronauts.
Oral History Project
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Transcript
Marc A. Scorca: Thank you for participating in this. This is a remnant from our 50th anniversary celebration, when we had decided we wanted to create an oral history and talk to 50 people, who had really made an indelible impression on American opera. And, when I think back over the history of American opera, as I know it,
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