Year of birth, place
Year of death, place
Biography
John Cage was born in Los Angeles in In , after travelling for several months in Europe, he embarked on a year's study of music in the USA under Richard Buhling, Adolf Weiss and Henry Cowell. In he studied under Amold Schönberg. In he enrolled at Columbia University, New York, in study Philosophy and Classical Indian Music, simultaneously studying Zen Buddhism with Daisetz Taitaro Suzuki. Cage taught extensively throughout his career and had a profound influence on several generations of artists. In he taught Experimental Music at the Chicago School of Art; in he taught at Black Mountain College; and from to he taught at the New School of Social Research, New York. In the academic year he gave the Charles Eliot Norton Poetry Lectures at Harvard University. Cage received numerous prizes and awards for his work, among these an Honorary Doctorate at the Californian Institute of Arts () and the Kyoto Prize awarded by the city of Kyoto (). John Cage died in New York in
Cage is among the most important
Summary of John Cage
Working during the heyday of Abstract Expressionism, John Cage honed his skills in the midst of the growing American avant-garde. Neither a painter or a sculptor, Cage is best known for revolutionizing modern music through his incorporation of unconventional instrumentation and the idea of environmental music dictated by chance. His approach to composition was deeply influenced by Asian philosophies, focusing on the harmony that exists in nature, as well as elements of chance. Cage is famous not only for his radical works, like 4'33" (), in which the ambient noise of the recital hall created the music, but also for his innovative collaborations with artists like Merce Cunningham and Robert Rauschenberg. These partnerships helped break down the divisions between the various realms of art production, such as music, performance, painting, and dance, allowing for new interdisciplinary work to be produced. Cage's influence ushered in groundbreaking stylistic developments key to contemporary art and paved the way for the postmodern artistic inquiries, which began in the late s and further challenged the established definition of fine art.
Accomplishments
- C
One of the most influential 20th century composers, John Cage pioneered a body of music that he described as the contemporary transition from keyboard-influenced music to the all-sound music of the future. From to Cage composed over 16 percussion scores and invented compositional procedures and theories conceived for percussion music. During the s he developed new composing methods including chance elements and other efforts to divorce the composer from the compositional process. A percussionist himself, he performed as well as composed, exploring new sound resources (he invented the prepared piano). Known as much for his writings and lectures as his music, he was in constant demand as a speaker.
— by Frederick FairchildJohn Cage
by David Revill
Beginning in the mids, John Cage was a pioneer whose pieces for percussion ensemble liberated the genre from its two most cliched roles its supportive role in the orchestra of giving emphasis to the activity of other instruments, and its role in popular music as rhythmical backdrop which, by the time Cage was writing, was already canonized in jazz. Pieces such as the Quartet (), Trio
JOHN CAGE
by Juilo Cann
(March )(ED NOTE: You can also see the embedded, more colorful Acrobat/PDF version of this article) �John Milton Cage Jr. (September 5, - August 12, ) was an American composer, philosopher, poet, music theorist, artist, printmaker, and amateur mycologist and mushroom collector.�
In order to begin to understand this genius polymath, one of the most influential figures of 20th century avant-garde, it is perhaps most useful to approach his work not in chronological order, which would only serve to elucidate his penchant for constant reinvention, but instead to delve into it as he did: from all directions simultaneously, and to try to find - or at least experience - the common aesthetic thread running through all of it. Therefore, in Cagean spirit, the following is a series of aleatoric impressions of the ideas and music of John Cage.�Even variation is a form of repetition.� - Arnold Schoenberg.
Although never a serialist, Cage was a true heir to the modernist ideals of his one-time teacher, Arnold Schoenberg. Tired of the exceeding expressiveness of Romantic music, he recogn�Repetition is a form of change.� - Brian Eno.
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