Edward Weston contributed to the development of photography to the point that it was regarded as an essential element of modern art. The high-resolution, realistic images of organic shapes and modern wonders were trademarks of Edward Weston&#;s photography style and were comparable to Surrealist imagery, inspiring people to examine seemingly commonplace items and establish new connections with them. He himself was not a Surrealist though, so what group did Edward Weston belong to then? Weston co-established the f/64 Group, which highlighted rather than obscured photographic features, transforming photographers from printers to artists in their own right.
Edward Weston’s Biography
| Nationality | American |
| Date of Birth | 24 March |
| Date of Death | 1 January |
| Place of Birth | Highland Park, Illinois |
Weston helped elevate photography out of the Victorian era, which valued pictorialist representations of art, and into the contemporary age, where it became a famous discipline of its own, by producing images that converted his subjects into abstracted patterns and shapes. Edward Weston helped secure photography&#;s status as a genuine modern creati
Edward Weston is a master of still life photography, his manipulation of light to highlight shape, texture and form helped bring photography out of the shadow of painting and stand on it&#;s own as a credible art form.
Working for the majority of his career with and 8&#;10 field camera Weston&#;s work is staggeringly beautiful, the detail he was able to capture with such large negatives is truly extraordinary and must be seen in the flesh to be fully appreciated. Known for photographing elemental landscapes, sculptural nudes and everyday objects Weston will forever stand as a champion of photographic progression, and in this post, we will celebrate his technique and explore the recreation of his work.
There is something beautifully sculptural about Westons work, his subject, in this case a pepper, has a masculine quality. The curvature of the shoulder of the fruit resembles the contortion of a muscular structure under duress.
Like the sweeping brush strokes of a painter the fluidity of the object leads the eye in an arabesque fashion from left to right in the form of a contracted bicep. The majority of his still life work encapsulates this philosophy, each object in its ow
Summary of Edward Weston
From mild mid-western salesman to bohemian California artist, Edward Weston helped revolutionize photography so that it became an important component of modern art. His philandering ways got him into trouble in his personal life, but elevated him to new heights in his profession - helping him to forge artistic relationships with other modernists and inspiring his lifelong drive to capture the essence and beauty of everyday objects. Through his promotion of straight photography and his daybooks, in which he recorded his artistic growth, Weston helped cement photography's place as a legitimate modern artistic medium and influenced an entire generation of American photographers.
Accomplishments
- By creating photographs that transformed his subjects into abstractions of shapes and patterns, Weston helped bring the medium out of the Victorian age that favored pictorialist imitations of painting and into the modern era wherein photography became a celebrated medium in its own right.
- Similar to images used by the Surrealists, Weston's high resolution, realist photographs of organic forms and modern marvels encouraged viewers to reconsider seemingly mundan
Edward Weston
(AMERICAN, - )
Edward Weston, an American photographer was born in Highland Park, Illinois. Weston began to make photographs in Chicago parks in , and his works were first exhibited in at the Art Institute of Chicago. Three years later he moved to California and opened a portrait studio in a Los Angeles suburb. The Western landscape soon became his principal subject matter. In the s, Weston and several other photographers, including Ansel Adams, Imogen Cunningham, and Willard van Dyke, formed the f/64 group, which greatly influenced the aesthetics of American photography. In , Weston received the first Guggenheim Fellowship awarded to a photographer, which freed him from earning a living as a portraitist. The works for which he is famous–sharp, stark, brilliantly printed images of sand dunes, nudes, vegetables, rock formations, trees, cacti, shells, water, and human faces are among the finest of 20th-century photographs; their influence on modern art remains inestimable.
Weston made his last photographs at his beloved Point Lobos, California, during the decade from to , being the year he was stricken with Parkinson's disease. His second son, Brett Weston, , an
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