Chi era veramente Laura, la donna cantata da Francesco Petrarca in latino e in volgare?
Chi era veramente Laura, la donna amata e cantata da Francesco Petrarca ()? La bella Laura, eterno amore impossibile, immortalata nel Canzoniere, opera cardine della poesia in italiano volgare, potrebbe non essere mai esistita…
Identità segreta. Generazioni di studiosi e di critici si sono invano affannati attorno alla sua identità, ma una risposta certa ancora non è stata data. Qualcuno ha messo anche in dubbio la veridicità del personaggio; altri hanno ipotizzato che si trattasse solo di un di un fantasma nato dalla fantasia del poeta.
Musa. L'autore del Canzoniere raccontò di averla incontrata il 6 aprile , un venerdì Santo, nella chiesa di Santa Chiara ad Avignone. Fu "un amore autentico per una donna reale" insiste il poeta, nelle sue Confessioni. La sua figura appare anche nei Trionfi, poemetto didattico-allegorico in volgare, e Petrarca ne accenna in latino in qualcuna delle lettere Familiares e nell'epistola Posteritati (la lettera alla posterità) e più concretamente in due Epystole metricae.
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Written by Timothy Sexton
Today—and for the last several centuries—Petrarch is famous almost exclusively for a series of more than sonnets. In fact, he is specifically famous for the construction of the sonnet which bears his name as opposed to a similar yet slightly different construction referred to variously as the British or Shakespearean sonnet. Petrarch himself considered these love poems to be among the lower end of the voluminous literary output that he felt live on after he was gone. After all, Petrarch was literally there at both the place and time that gave birth to the Italian Renaissance. The poet is every bit as much a definitive figure of that remarkable era as Dante and Boccaccio. Or, for that matter, Da Vinci or Donatello.
Petrarch’s Letter to Posterity stands as one of the rare examples of autobiography written between Augustine’s Confessions and the 19th century. On His Own Ignorance and That of Others is a genuinely creative work of
Laura de Noves( - ) was the wife of Count Hugues de Sade (possibly the ancestor of the Marquis de Sade). She could be the Laura that the Humanist poet Francesco Petrarch wrote about extensively; however she has never been positively identified as such.[1] Laura had a great influence on Petrarch's life and lyrics. The historical information on Laura is meager at best.
Born 6 years after Petrarch in in Avignon she was the daughter of a Knight, Audibert de Noves. She married at the age of 15 (16 January ) and Petrarch saw her for the first time two years later on 6 April (Good Friday) in at Easter mass in the church of Sainte-Claire d'Avignon.
Not much is known about her other than she did have a large family, was a virtuous wife, and died in Since this first encounter with Laura, Petrarch spent the next three years in AvignonPlatonic love and haunting Laura in church and on her walks. After this Petrarch left Avignon and went to Lombez (a French department of Gers) where he held a canonry gifted by Pope Benedict XII. singing his purely
In he returned to Avignon and bought a small estate at Vaucluse to be near his dear Laura. Here for the next three years he wrote numerous
Petrarch's Poems about Laura: The Eternal Muse
The Enigmatic Laura in Petrarch's Poetry
Petrarch, one of the most influential poets of the Italian Renaissance, is renowned for his heartfelt and passionate works, particularly his sonnets dedicated to a woman named Laura. These sonnets form the cornerstone of Petrarchan poetry and have captivated readers for centuries. Petrarch's love for Laura and his poetic exploration of this unrequited love have immortalized her as the eternal muse in his verses.
Who was Laura?
Laura, the woman who inspired Petrarch's poetry, remains a mystery. Scholars have debated her true identity, with some suggesting she was Laura de Noves, a married woman whom Petrarch first saw in a church in Avignon, France. Regardless of her true identity, Laura became the embodiment of idealized beauty and divine love in Petrarch's verses.
The Petrarchan Sonnet Form
Petrarch's poems about Laura are predominantly written in the Petrarchan sonnet form, which consists of an octave (eight lines) followed by a sestet (six lines). This structure allows Petrarch to express his emotions and thoughts in a structured and controlled manner. The
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