Inge jacobsen biography of williams

Inge Jacobsen

“I’m not really a patient person” explains Inge Jacobsen, an Irish-born artist who’s in the business of embroidery and collage. Interested in the over saturation of images, Jacobsen seeks to create work which is unique by using found imagery, stitching onto anything from newspaper articles to adverts to magazine covers, including our very own Beyonce shoot from last summer. Ahead of taking part in a group exhibition opening in Munich later this month, we asked her how she got into the seriously old craft and what she looks for in a canvas. 

I choose images that appeal to me personally – either for their compositional values or its sex appeal

Dazed Digital: What kick started your interest in embroidery?
Inge Jacobsen:
It started while I was at university, we had a lot of freedom on the course to explore our ideas in any way possible. I had some cross-stitch works that I inherited from my grandmother, and I thought it would be a really obvious medium to use to intervene into images that are already out there. It creates a nice contrast between the old and the new.

DD: How do you decide what to embroider? And how long does

Come Back, William Inge

A half-century ago, Arthur Miller and Tennessee Williams were universally reckoned the finest American dramatists of the postwar era. They still are. In , however, the short list also included William Inge, and there were those who ranked Inge higher than either of his contemporaries. He was certainly more successful than Miller or Williams, both of whom already had notably uneven track records on Broadway by the end of the ’s. Inge, by contrast, was the theatrical success story of the decade. His first four plays, Come Back, Little Sheba (), Picnic (), Bus Stop (), and The Dark at the Top of the Stairs (), were all box-office hits that were made into equally popular Hollywood films, and Picnic also won a Pulitzer Prize. With the exception of Neil Simon, no other modern American playwright has had a comparable run of good luck.

Inge’s luck ran out at the end of when A Loss of Roses, his fifth play, closed after only 25 performances. He rebounded with Splendor in the Grass, his first screenplay. Directed by Elia Kazan, it became one of the most popular movies of and won its author an Oscar. But Splendor in the Grass was Inge’s last succ

Hand-Stitched Vogue Magazine Covers by Inge Jacobsen

Irish artist Inge Jacobsen creates amazingly detailed hand-stitched magazine covers.

&#;My practice is about intervening into found images through embroidery, cutting, and collaging. The images I use are mostly from women’s fashion magazines, pornographic images, and newspapers.

My main concern as an artist is how one responds to the mass of imagery in the world. I am particularly interested in exploring the different contexts in which photography can be used. I like to stray from the conventional perceptions of what photography can and can’t be. With the over saturation of images, my practice seeks to intervene in this overwhelming consumption from the mass produced and alter it to create something unique.&#;

&#; Inge Jacobsen

via ColossalInge Jacobsen&#;s website

William Inge Biography | Author of Picnic

William Inge, born May 3, , was the fifth and last child of Maude and Luther Inge. He was raised in Independence, Kansas, by his mother; his father was a salesman and was rarely at home. After graduating from the University of Kansas in , Inge attended the George Peabody College for Teachers but left before completing a master of arts degree. After a brief period teaching English at a local high school, Inge returned to college to complete his master's program. He also worked as a drama critic, and it was during this period that he met renowned playwright Tennessee Williams (A Streetcar Named Desire), who encouraged him to write. Inge completed his first play that year, and with the help of Williams, Farther off from Heaven was produced two years later, in

Plagued by depression and substance dependencies, Inge joined Alcoholics Anonymous in , having already begun Freudian

(read more)


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